Netflix’s series ‘Heeramandi’ depicts the lavish lifestyles of 1940s courtesans in Lahore, highlighting their affluence and influence during British rule.
While the show draws inspiration from the respected artistry of courtesans during the Mughal era, it significantly embellishes their opulence. In stark contrast, modern-day sex workers in the same Lahore red-light district endure harsh living conditions, with their reality far removed from the glamour portrayed on screen.
The series, subtitled ‘The Diamond Bazaar,’ shows courtesans engaging with aristocrats against the backdrop of India’s independence struggle. However, a former sex worker, Shagufta, dismisses this depiction as unrealistic.
According to Shagufta, who began working there at age 12, today’s Heera Mandi bears little resemblance to its depiction in ‘Heeramandi. ‘ The area, once known for its cultural significance, now struggles with degradation and poverty.
Shagufta, reflecting on her ancestors’ roles as respected ‘tawaif,’ notes the decline from celebrated artistry to mere survival. The Netflix show’s representation contrasts sharply with the gritty reality she describes.
Despite the series’ success and cultural impact, it sparks debate about its portrayal of sex workers. While it brings attention to Heera Mandi, it also raises questions about the balance between entertainment and historical accuracy.
Ar. A cultural researcher, Naveen Zaman sees the show as an opportunity to discuss and research the once-taboo tawaif culture. However, the realities of current sex workers like Noor, who feels stigmatized despite the series’ glamour, tell a different story.
Noor, forced into sex work as a child, speaks on the enduring stigma attached to women in her profession, overshadowed by the area’s notorious reputation.
Classical dancer Manjari Chaturvedi criticizes the series for missing an opportunity to reshape narratives around courtesans, focusing instead on sexuality rather than their artistry.
As ‘Heeramandi’ brings these issues to light, its conversation may prompt reevaluating how such stories are told and received.
*For additional insights and information, input was sourced from NDTV.