Mariah Carey’s performance at the Milano-Cortina 2026 Winter Olympics opening ceremony quickly sparked global discussion. Viewers began questioning whether she sang live shortly after the broadcast aired.
The opening ceremony marked the official start of the Milano-Cortina 2026 Winter Olympics. Milan and Cortina d’Ampezzo jointly hosted the event. Organisers relied on music and symbolism to highlight unity between the two cities. Performances played a central role during the show’s opening hour.
Mariah Carey headlined one of the ceremony’s most prominent segments. The six-time Grammy Award winner opened her set by singing in Italian. She performed Domenico Modugno’s classic “Nel Blu, dipinto di Blu,” widely known as “Volare.” Carey then followed with “Nothing Is Impossible” from her 2025 album Here For It All.
🎤Milano – Cortina 2026 Kış Olimpiyat Oyunları açılışında Mariah Carey'den duygusal performans!❤️
"Volare"#MilanoCortina2026 pic.twitter.com/Zf4meP0dzJ
— Eurosport TR (@Eurosport_TR) February 6, 2026
The ceremony aired live to a global audience. Producers positioned Carey’s appearance as an emotional highlight of the night.
As the broadcast continued, viewers began sharing concerns online. Many pointed out moments where Carey’s lip movements appeared slightly out of sync with the audio. These observations fueled speculation that the performance relied on pre-recorded vocals.
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So far, no official clarification has followed. Carey’s representatives have not commented. Olympic organisers have also remained silent. The broadcast did not confirm whether the vocals were live, which added to the uncertainty.
The debate intensified because other artists performed during the same ceremony. Italian singer Laura Pausini delivered the national anthem. Tenor Andrea Bocelli appeared later in the program. Viewers widely described both performances as live and emotionally strong.
International media reports noted that the ceremony’s official theme was “Harmony.” The concept aimed to reflect cooperation between Milan and Cortina d’Ampezzo. Critics argued that the controversy briefly distracted from that message.
Opening ceremony performances often shape early impressions of the Olympic Games. In recent editions, audiences expected live vocals as part of the spectacle. Viewers now analyse performances in real time. High-definition broadcasts and social media amplify every detail.
As sporting events begin across Italy’s venues, attention is shifting back to the athletes. It remains unclear whether officials will address the performance debate. Organisers now aim to keep competition, not controversy, at the centre of the Games’ narrative.