Bollywood star Hrithik Roshan shared a nuanced review of the new film Dhurandhar. He posted his thoughts on his Instagram Stories on Wednesday. The actor praised the film’s high-octane cinematic craft and storytelling ambition. However, he also expressed a significant political disagreement with its narrative.
“I love cinema,” Roshan wrote in his review. “I love people who climb into a vortex and let the story take control… Dhurandhar is an example of that. Loved the storytelling; it’s cinema.” He then added a critical qualifier to his appreciation.
“I may disagree with the politics of it,” the actor stated. He also mentioned arguing about filmmakers’ responsibilities as global citizens. “Nevertheless, can’t ignore how I loved and learnt from this one as a student of cinema. Amazing.” Roshan did not specify which political elements he opposed.
Still can't get DHURANDHAR out of my mind. @AdityaDharFilms you are an incredible maker man. @RanveerOfficial the silent to the fierce what a journey and so damn consistent. #akshayekhanna has always been my fav and this film is proof why. @ActorMadhavan bloody mad grace,…
— Hrithik Roshan (@iHrithik) December 11, 2025This silence has sparked wider debate about Bollywood’s recurring tropes. Dhurandhar explores Karachi’s Lyari gang wars with a heavy focus on spectacle. Critics argue it reinforces a monolithic, negative portrayal of Pakistan. This trope has become commercially successful in recent Indian cinema.
Roshan himself starred in the 2024 blockbuster Fighter. That film centred on the 2019 Pulwama attack. It also faced criticism for its nationalistic tone and portrayal of Pakistan. The actor’s latest comments suggest possible introspection on such narratives.
He referenced the “responsibilities we filmmakers should bear as citizens of the world.” This remark highlights cinema’s power to shape sentiment and deepen divides. Mass-market films have a vast reach across communities and borders. Their narratives can have real-world consequences in tense geopolitical climates.
It is also important to highlight d positive aspects of Dhurandhar, in which reference is made to d oppression and injustices committed by Pakistan in Balochistan. Akshaye Khanna, dressed in traditional Balochi cultural attire, looks exactly like a Baloch. All cast played well. pic.twitter.com/FfrcbKFXIP
— Mir Yar Baloch (@miryar_baloch) December 8, 2025Bollywood has increasingly produced films with anti-Pakistan or anti-Muslim themes. Recent examples include The Kashmir Files, Mission Majnu, and The Kerala Story. These projects often receive applause from right-wing circles and criticism from others.
Roshan’s balanced review raises questions about his own stance. Is it a genuine critique of industry trends? Or is it a diplomatic effort to praise craft while distancing from content? His call for responsibility now faces public scrutiny.
If filmmakers have a global citizen’s responsibility, as Roshan suggests, this duty should influence their creative decisions. This includes the roles they choose and the narratives they help to promote. In a nation of over a billion people, stories not only reflect reality; they also actively shape it.
